By photojournalist Dan Fernandez
On Sunday night April 27, 2025, Jannus Live played host to a captivating evening of folk featuring the Canadian quartet The Dead South alongside the self-taught powerhouse singer-songwriter Sunny War from Nashville, Tennessee as the opening act. The night was a blend of storytelling told over the backdrop of the American Southwest, toe-tapping rhythms, and a unique, almost punk rock inspired examination of the traditional folk and bluegrass genres.
Sunny War opened the show with a mesmerizing performance that showcased her remarkable versatility supported on stage only by her drummer. Not just a singer, War is a storytelling force, weaving rock, gospel, and country into her own unique sonic landscape. Her powerful vocals combined with intricate melodies strummed on her guitar (a skillset that she has been honing since she got ger first tool of the trade at 7 years old) set the tone for what would be an unforgettable concert. The audience was entranced by the contrast of her youthful charm coupled with the emotive depth of her songs, drawing inspiration from her own personal triumphs and troubles. Her music echoed through the venue, leaving a lasting impression on those fortunate enough to get to the venue a bit early and witness her talent face to face.
As the night unfolded it was time for the main course to be served with The Dead South taking the stage. Formed in 2012, this folk quartet has made quite the name for themselves both throughout North America and internationally, often referring to themselves as “Mumford & Sons’ evil twins.” Their latest tour is in support of their fourth studio album, “Chains & Stakes,” recorded at Panoram Studios in Mexico City. The album reflects their distinctive blend of traditional folk and bluegrass with their trend of darker, more violent themes that explore the narratives of western pioneers. Though this tour was in support of their newest album, The Dead South made sure to appease the masses, playing songs from all 4 of their studio albums to date including 6 tunes from their critically acclaimed “Good Company” released in 2014 by Devil Duck Records.
The ensemble, comprised of frontman Nate Hilts, bassist and cellist Danny Kenyon, banjo and kickdrum player Colton Crawford, and mandolin extraordinaire Scott Pringle, took to the stage with contagious enthusiasm. With their farm set backdrop and chemistry echoing through the venue it felt as if we were all old friends enjoying a down-home jam session around a campfire. This camaraderie translated into a performance that was not only galvanizing but also highly engaging as the band deftly incorporated crowd banter and nifty little choreographed dances that mirrored the joy and spontaneity of their music.
The setlist for the evening was an in-depth journey through The Dead South’s discography. Highlights included the catchy “Snake Man Pt. 1 & 2,” the spirited “20 Mile Jump,” and the hauntingly beautiful “In Hell I’ll Be in Good Company.” Each song showcased their proficient instrumental abilities as well as their lyrical prowess, while tracks like “Father John” and “The Bastard Son” provided a glimpse into the darker, introspective themes that has often characterized their sound.
As the show drew close to an end the encore brought a gratifying culmination to a noteworthy night. The band thrilled fans with songs “Completely Sweetly,” “Broken Cowboy,” and the energetic, if not slightly controversial “Banjo Odyssey,” leaving the audience both completely satisfied yet still ever yearning for more.
On a warm Sunday night in April, The Dead South succeeded in creating an unforgettable atmosphere at Jannus Live. The synergy between the band and the audience was apparent, making way for a warm and unified atmosphere. For both long-time fans and newcomers alike, the concert was a testament to the power of folk music and the unbreakable bonds it fosters—but it was The Dead South’s vibrant energy and earnest storytelling that truly made the evening unparalleled. It is clear that this rare quartet will continue to carve their mark in the folk and bluegrass genres, leaving audiences captivated wherever they go. My only question is which mold will they break next.
